Saxophone Forum


by ChiTown80
(6 posts)
1 year ago

Questions For Conn 10M Players

Hello. I currently play alto and am looking to buy a tenor saxophone. I'm very interested in trying out some Conn 10Ms, but I was hoping I could get a little info from people that own/have owned 10Ms. A few questions I have:

What, from your experiences, has been the best serial number range for 10Ms?

Do you think that it is better to go with one that has rolled tone holes? What are the advantages/disadvantages of rolled tone holes?

I currently play a 1948 King Super 20 alto. Will the keywork of a 10M be difficult to adjust to for somebody that has been playing an early Super 20?

I have heard that the keywork can be difficult for people that do not have large hands. Is this true, and if so is there a certain serial number range that would be better for people that do not have large hands?

Thanks in advance to anyone that can help. Any extra observations or advice you can add would also be greatly appreciated. 

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  1. by GFC
    (327 posts)

    1 year ago

    Re: Questions For Conn 10M Players

    The biggest change to the Conn 10M occurred around 359xxx (1955), when the neck was changed from the old style neck to a double socket and nickel plated keywork was introduced.  The tonal characteristics changed markedly.  The earlier horns are deeper and richer.  The later horns are brighter and more spread.  I personally was not satisfied with the sound of the later horns.  They're essentially Directors with upgraded keywork.  Some feel that the later horns are more mouthpiece-friendly than the earlier ones.  The later ones reportedly get along with smaller chamber setups better than the earlier ones do.  1947 - 1954 horns have  the old style neck and straight tone holes.  They sound very similar to the rolled tone hole horns.  The alternate eb key is on the rolled tone hole horns, but not on the later horns.   

    My horn is a 1951.  The workmanship does not impress me in the same way the workmanship on earlier Conns does - some of the key alignments aren't quite as true and a subtle change to the LH table makes adjustment of the G# articulation tab more problematic than on the earlier 10Ms.  But those issues are not a deal breaker for me and the 1947-54 horns are much less expensive than the rolled tone hole ones.  

    Rolled tone holes are nice, but if they're out of level they are a much bigger problem than straight tone holes.  Leveling rolled tone holes is a job for a Conn specialist.  A garden-variety tech can do some serious damage.  The chimneys on rolled tone hole horns are thinned by the process of rolling the rims.  Figure big $ if a rolled tone hole horn ever needs that kind of work.  

    10M keywork isn't bad by vintage horn standards.  I don't have large hands, and I get around just fine.  The LH table does require a little extra work.  If the keywork of a 10M is a deal breaker for you, a Keilwerth SX-90R is worth considering.  It's the only modern horn I've played that comes close to the 10M sound.
       
      

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    1. by ChiTown80
      (6 posts)

      1 year ago

      Re: Questions For Conn 10M Players

      Thanks for all the helpful information. :)

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