I have several Bueschers, one a C mel. On the back it does have a "C" above the ser no. My 1925 TT is a Selmer NEW YORK alto stencil, which I love to play. Intonation is near perfect and great sound! Definitely a keeper.

I bought a Buescher True Tone Tenor a couple of months ago on eBay. I must say I am thrilled! It did take a visit to an expert repairman, and $700 of work, but it was worth it. The tone holes were leveled, the pads replaced, the dents ironed out and the neck (the most important part of the sax) trued and lapped for a tight fit. No leaks, and it plays like a dream. The mpc is an Otto Link #7 with Rico 2-1/2 reed, for my taste. But I have played it with the original mpc, which was quite stuffy. They liked it that way I guess. It takes a lot of practice with the original mpc, which was meant more for classical than jazz playing. I play an Antigua curved soprano and a Luis Robert Deluxe alto, and the tenor just blows me away. One interesting thing I learned in my studies is that the "intonation" issue is grossly misunderstood by many musicians. I have heard complaints from many that the sax (no matter which brand) plays sharp at the top, about 30 cents, and flat at the bottom, about the same. This is NOT an indication of a poorly intonated instrument! The tuning is not set up for dead on pitch as with a tuning meter. You could go nuts trying to change the intonation to match perfect pitch and lose the subtle intonation design of a saxophone. If you have heard of Bach's "well tempered clavier" you will know what I mean. The "well tempered" part of it means that the instrument is DELIBERATELY detuned gradually from bottom flat to top sharp! This creates a tuning the SOUNDS GOOD, and is not meant to have perfect intervals. You, the performer, must use embouchure to match the pitch of other instruments when you play in harmony, but when you solo you can let it rip. You will sound better when it is technically "out of tune!" So, don't freak when you use the tuning meter, just tune A to G (or C to B-flat) and practice your embouchure to play in harmony. In an orchestra you will be in harmony because the piano as well as other instruments are intonated in very sophisticated ways that have evolved over centuries. The only problem you will have will be in "modern" bands where the subtleties of intonation take a back seat to the tuning meter. You are going to have a great time with that Buescher. He's a fine old gentleman who can be taught to howl!

I played a 1927 True Tone "The Buescher" in Detroit bar bands for 25years with a Vandoren red 77 mouthpiece. It still rocks although now it is now back up horn. DON"T LET A REPAIRMEN WHEN THE EFLAT TRILL. If he/she suggest's it,take it to someone else that can properly set up a vintage horn.

I have a Buescher True Tone Low Pitch Serial # 75329, that I received from my Great Uncle. The instrument was checked 5 years ago and played very well. We are now looking to sell it to someone who would enjoy this great instrument.

I was just given a True Tone Sax with the serial # 222302 it has pearl keys and It is gold. Can any one tell me what I have. thanks

That would be a 1925 model Buescher True Tone. The Low Pitch means that it is compatable with today's instruments which is good. As long as the action is free and complete (no missing or broken keys), and there are no major dings or dents, it's worth the cost of an overhaul. They have very good intonation and play very well for an older horn. Good Luck, Jim

Im looking at a Buescher true tone (low pitch) sax on the web. Id like to know what one is roughly worth in good condition. Its serial number is 170964. Its is an original 1925 sax with original laquer. Please help.

I have a TT Soprano Curved, it is very well built and sounds great. Even better found it for 350.00. Mine is lacquer or bare brass.