Re: Hey
Brandon-
These things are good to hear - and I agree that auditioning a wide variety of horns could be the right way to go. If you get this chance, try to pay attention to how easy it is to get around on the horn - top to bottom. Take your own mouthpiece and offer to clean up after yourself--- dry out the horns after you play them. Listen to tonal differences - but at this point in your development your own ability progression will have a bigger impact on tone than horn alloy differences.
It's wonderful that you might get to consider spending $3000. If you get a student or intermediate model now, you'll likely be trading up in a few years. If you'll take care of a pro horn now - it might last you 40+ years like mine has. You could get a lightly used pro-line Selmer, Keilwerth, newer Yamaha or Yanagisawa. (Avoid early Yamahas, I heard). As far as modern horns - these are what I'd consider. And since I have a Mark VI Selmer - the first thing I'd look at are the Selmer Reference 36 and 54 models, as well as the Super Action 80 Series II and Series III. I was offered a real nice used Reference 36 tenor at $2200 recently, for instance. But I hear good things about other brands as well : P.Mauriat, Steve Goodson, even recently made Cannonballs --- just wouldn't trust them myself. One last thing. Try to avoid anything that might be a fad - like weird colored lacquer, no lacquer and etc. You won't want a purple sax when you're 55, and you won't want a greenish grungy bare brass horn either. Protect that brass all you can - dry it off inside and out after each use. --- Later man.
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