I'm SATB equipped (finally). Played alto for 20 some years and then went hog-wild in the past year - almost OCD. I'm into four horns that I would have a hard time replacing, sound-wise. So the search is over (in relative terms). You never know what's around the corner or what will turn up in the local shop. I'm about done hawking eBay, though. I'm primarily legit alto and soprano solo, but I wanted tenor and bari because I'm a composer as much as I'm a player and I want to write quartet music. I figure I can't very well get a true feel for the music unless I can play it and try things out on the actual horn - to get a feel for response time and such. I'd also like to be available to fill-in for any of the instruments, if needed. I'd like to have the reputation as an all-around decent "on-call" sort of player - I don't aspire to be a band leader unless I get around to compiling a quartet or small sax ensemble. I'm really close to going after a C-Melody, but less interested in sopranino. Bass would be extremely cool, but is cost prohibitive. I couldn't justify the money unless I was doing paid gigs on a regular basis or unless I found an incredible deal on a good horn. Unless a bass falls in my lap (ouch), I probably won't pursue one. There's the odd-ball mezzo and others, but I consider myself more a player than a collector, so I really only want to own that which I will use regularly. My horn gear is: Yani/Vito soprano Selmer III silver plate alto 1952 SBA tenor Yani Low A bari (unbranded - serial number & "Japan" are the only markings - no high F#) I'll spare you my full mpc list, but I prefer vintage LT's or Selmer metals on alto and tenor for legit, which is my primary focus. Vintage HR Bundy on soprano (legit), and a Bundy I "custom" refaced for bari - smooth as a baby's bottom and warm as a fresh pan of brownies.