French School of saxophone school of thought vs. the German Rascher school of though
Alright, I'll say this now, I guess I can be called a Rascherite or whatever it is the few of us that play like that are called, but why are we hated by players that play in a french style with their c* mouthpieces? I dont' get it. I challenge anyone that plays on a c* to try a caravan medium chamber mouthpiece and learn the correct embouchure for it and not like it. A Caravan medium chamber an easy switch from a c*, if you try a large chamber it's too much, at first that is. Requires too much air. I'm curious to see what kind of discussion this will end up being, i'm not insulting anyone, so dont' take offense.