Saxophone Forum


by k7michal
(34 posts)
19 years ago

Sax to Clarinet.

some times I have a desire to play with acustic guitar and just softly in general. I'm thinking I really want a clarinet to do the job. right now I have a Keilwerth SX-90 tenor with metal otto link 8* mpc. would a selmer C* make it significantly quieter? I thought of maybe buying a xaphoon just to tame the craving.. anybody know of a reasonable clarinet for $500 or so?

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  1. by connsaxman_jim
    (2336 posts)

    19 years ago

    Re: Sax to Clarinet.

    The cheaper Buffet clarinets are very good. Any Buffet clarinet is good! I play a mid-1960's vinatage R-13. LeBlanc and Noblet clarinets are also very good.

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    1. by k7michal
      (34 posts)

      19 years ago

      Re: Sax to Clarinet.

      thank you for the recommendation.

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      1. by saxjunkie89
        (393 posts)

        19 years ago

        Re: Sax to Clarinet.

        good luck I told my private instructor at one time or another, he plays flute, clarinet, and sax, that i wanted to learn how to play clarinet. He said that it would be a big change, and that i would have to forget almost everything i learned on sax. So if you don't want to play the sax again, you should try clarinet.

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        1. by k7michal
          (34 posts)

          19 years ago

          Re: Sax to Clarinet.

          that sounds inviting.... I'm sure there's got to be a way around this. Is there a sax set up for tenor that is quiet enough to play with acustic guitar when camping???

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        2. by saxjunkie89
          (393 posts)

          19 years ago

          Re: Sax to Clarinet.

          I don't know BUT i do know, no matter what, that it will be hard to learn clarinet. I'm not trying to turn you off from playing it, but i know it'll be difficult.

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        3. by sax_maniac
          (984 posts)

          19 years ago

          Camping with a tenor

          If you want a very subdued tenor sound, I recommend a small tip opening, large chambered concave sidewall mouthpiece like an old Woodwind New York '36 model B5. With a stiff reed, you can get a nice thick sound that won't over project - even if you blow really hard. This is just one example of a mpc with a very low baffle, concave sidewalls, small tip opening, huge chamber. On the much more expensive side, you could look for a vintage hard rubber slant sig Link in a facing like a 4 or 5. (I happen to have one for $395) Similar design to what I describe above. Modern HR Tone Edge pieces might give a similar effect in a closed facing - a 4 facing with a really stiff reed might get you there. Depending on the horn, an S80 with a C* facing could work with a really stiff reed - like a 4 strength Vandoren Trad. or a Hard Fibracell.

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